A three-person studio making careful photographs of buildings, objects, and food for the architects, makers, and chefs behind them.
On set this week for Oria Kitchen
Services
Architecture and interiors
Buildings and rooms shot in the light they were designed for, after a scout visit to learn how the sun moves through them.
From two days
Still life and product
Objects on sets we build around them, lit once and kept consistent across a whole range, in the studio or on location.
From one day
Food and hospitality
Dishes, dining rooms, and the people who run them, shot during a real service whenever the kitchen allows it.
From half a day
Portraits and editorial
Portraits for press, books, and teams. One light, one backdrop, and time to talk before the first frame.
Half day
Ways to work together
Half day
For portraits, a few products, or a single room.
- Four hours on set
- A planning call the week before
- Selects to review the next morning
- Up to 10 finished, retouched images
Full day
For a building, a menu, or a product range shot in one light.
- Eight hours on location or in the studio
- A scout visit or a planning call
- A producer on set all day
- Up to 25 finished, retouched images
Editorial
For magazines and books: a story told over one or more days.
- Days planned with your editor
- Scouting, casting, and styling
- Images in the running order you need
- Captions and credits ready to print
Commissions
How far ahead should we book?
Four to six weeks suits most shoots. Architecture depends on weather and season, so we hold two dates and shoot on whichever brings the better light.
Do you travel?
Most of our work is on location. Travel days are planned into the schedule, and travel and lodging sit on their own line of the quote so nothing is hidden.
How do usage rights work?
We license the photographs for the uses you name: web, print, press, or campaigns. The license is written into the quote, and extending it later takes one email.
Do you shoot video?
Short clips, yes: loops and behind the scenes pieces shot alongside the stills. For a longer film we bring in a director we trust and produce it together.
What should we prepare?
A shot list, even a rough one, and access to the space an hour before we start. For products, send everything clean, with a spare of anything fragile.