Artwork

The parts of a page about one piece: details, a large image, a pair, close-ups, how it was made, a series statement, a studio note, the print edition, where it was shown, and more from the series.

Cut-paper collage of one huge flower with layered pink and coral petals around a yellow center, on mint green leaves against navy paper

Night Garden

Big Pink Flower

The flower by the back door, cut about ten times bigger than it grows. Every petal is torn from one of three pinks and layered so the rough edges catch the light.

  • Medium: Cut paper on board
  • Size: 50 x 75 cm
  • Year: 2026
  • Edition: 30 giclee prints, signed and numbered
Cut-paper collage of a yellow tram crossing a three-arched bridge at dusk under torn bands of orange and pink sky, with a pale sun and its orange reflection breaking up in a blue river
Tram at Dusk, Folded City, 2025. Cut paper on board, 50 x 75 cm.

Paper Birds

A flock and a heron

Every bird in the series sits on the same brown kraft, the kind that comes wrapped around parcels. These two hang side by side in the studio.

Cut-paper collage of seven geese flying in a diagonal line across brown kraft paper, in black and white with one red goose

Seven Going South. One of them always wears red.

Heron in the Reeds. Forty feathers, one quiet Sunday.

Cut-paper collage of a white heron with layered torn feathers standing among green and ochre reeds and cattails on kraft paper

Night Beam, up close

Three parts of the same piece, and how each one was cut. Most of what I care about lives in the edges.

Detail of the top of a lighthouse, its red-roofed lamp room sending a torn yellow beam across navy paper under a small yellow moon
The beam is one strip of pale yellow, torn down both long sides so the light goes soft at the edges.
Detail of the lighthouse tower in bands of red and cream paper, standing on a black rock above the sea
The tower is five bands of red and cream, cut dead straight with the big scissors and butted together with no overlap.
Detail of the foot of the lighthouse, a black paper rock ringed by curling waves of torn white paper on navy
The foam is torn, never cut. Tear toward yourself for a curl and away for a flat wave, and keep the ones that surprise you.
Two hands in mustard sleeves cutting a mint paper leaf with black scissors over a green cutting mat scattered with paper shapes

From a matchbox sketch to a scan

Big Pink Flower took three weeks at the big table. Every piece goes through the same four steps, in the same order.

  • A thumbnail sketch. In pencil and no bigger than a matchbox, so only the shapes that matter fit.
  • Choosing paper by the window. Colors lie under a lamp, so every sheet is picked in daylight, laid out along the sill.
  • Cutting the big shapes first. Sky, ground, and the one big thing. Small pieces wait until I know where they have to sit.
  • Gluing and scanning. Wheat paste, a night flat under a stack of books, then a scan big enough for an A2 print.

Night Garden

The garden after the lights go out

Last winter I swapped white board for black, and every color I glued down came up like a lamp being switched on. Night Garden is three pictures of the small yard behind the studio after dark: ferns under a thin moon, moths crowding the one lamp, and a pink flower cut far bigger than it grows.

Three pieces, cut paper on board, 50 x 75 cm, 2026. First shown at The Fold, Lisbon, in the spring of 2026.

Two Suns began as one sunset. Then I tore the sheet down the middle by accident, liked the tear better than the picture, and cut a morning for the other half.

Ada

Cut-paper collage split down a torn middle, a yellow sun setting into red and pink waves on the left and a rayed yellow sun rising over a yellow hill on the right
Two Suns, from Small Suns, 2026

Take it home as a print

Prints are giclee, made from a full-size scan of the cut original on 310 gsm cotton rag, so the torn edges and the grain come through. I sign and number every one, and when the 30 of each size are gone, they are gone.

SizePaperEditionPrice
A3, 29.7 x 42 cmCotton rag30$65
A2, 42 x 59.4 cmCotton rag30$120

Prints ship flat between two sheets of board from Porto, within 5 working days of your order. Postage is worked out at checkout, and anything that arrives bent gets replaced.

Where it has hung

Cut paper changes in a room: you can see where the edges lift and the paste shines. Small Suns is up at Sala Clara in Porto until the end of October.

  • 2026 Small Suns, a solo show at Sala Clara, Porto
  • 2026 Night Garden, a two-person show at The Fold, Lisbon
  • 2025 Cut and Pasted, a group show at The Fold, Lisbon
  • 2025 Paper Birds, a solo show in the Kite and Compass Books shop, Porto
Six framed cut-paper pictures of leaves, arches, and a white bird hanging in a row on a white gallery wall, with a wooden bench in front
Cut and Pasted at The Fold, Lisbon, 2025

More from Loud Fruit

Cut-paper collage of three big yellow lemons with dark green leaves and two white blossoms on hot pink paper

Three Lemons

40 x 60 cm, 2026

Fig and Pears

40 x 60 cm, 2026

Cut-paper collage of two green pears and a halved purple fig full of red and cream seeds, on mint green paper